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Artists

Arashi Tanaka

Arashi Tanaka 

 

Profile

Arashi Tanaka

2000 Born in Fukuoka
2022 BFA, Tama Art University
2024 MFA, the Fine Art program at the University of the Arts London

Exhibition history

【Solo exhibition】
2024
「FROZEN BREATH」Nomadic Gallery (Tokyo)

【Group exhibition】
2024
“Different Kyomachibori Art Fair 2024” at Chignitta (Osaka, Japan)
“RA Summer Exhibition 2024” at the Royal Academy of Arts (London, UK)
“BBA” at BBA Gallery (Berlin, Germany)
Ogilvy London Office (London, UK)
“Best Asian Artist Award Prize” at Holy Art Gallery (London, UK)

Awards

2024
“Different Kyomachibori Art Fair 2024”: Winner of the Jury Awards — Eric Zhu Prize, Kentaro Noutomi Prize, and Hiroaki Shono Prize at Chignitta (Osaka, Japan)
“RA Summer Exhibition 2024”: Recipient of the British Institution Fund Award at the Royal Academy of Arts (London, UK)

Publish

2024
FOA Volume20 (New York)
Al-Tiba9 Art Magazine ISSUE15 (Barcelona)

Concept

Our vitality, existing faintly like fleeting snow. The ceaselessly beating pulse. Places of memory. Using the natural phenomenon of crystallization, where time transforms and solidifies, I encapsulate information—those I wish never to lose—like ice, freezing time itself. Through recorded heartbeats, the sound waves of rain and wind, the crystals change shape, their brilliance making the invisible visible.

Instagram:www.instagram.com/arashi_tanaka_/

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Artists

Maoka Ueda

Maoka Ueda

 

Profile

Maoka Ueda

Maoka Ueda was born in 1996 in Hyogo. She studied Art & Design in London for five years in the Foundation course at Central Saint Martins and in the BA(Hons) Graphic Design Communication at Chelsea College of Arts, University of the Arts London, England.

Exhibition history

【Solo exhibition】
2022
「Wonky Tunes」Gallery Crane
2023
「The Catcher in the Mirage」MA5 Gallery
2024
「Folie à deux」 Whitestone Gallery Taipei
「MIND GARDEN」GALLERY ROOM A (ArtSticker)

【Group exhibition】
2022
Mago Gallery Award The Group Show, Japan
Geisai #21 hosted by Takashi Murakami, Japan
100 nin 10 (Winning prize by Yuta Okuda , and Art Powers Japan)
Shibuya Style vol.16 at Seibu Shibuya Art Gallery, Japan 2022 Dec WHAT CAFE EXHIBITION「Vol.23 Art is…」
2023
‘Chroma Distance’ at POLA Annex Museum , Japan
ONBEAT ART SHOW, Japan
2024
MITSUKOSHI ART Selection at Mitsukoshi Nihonbashi , Japan ArtSticker SELECTION at Daimaru Kobe, Japan
Nine Colors ⅩⅧ at Seibu Shibuya Art Gallery,  Japan
Nine Colors at Hankyu Umeda , Japan
TUTTI FRUTTI JAPANESE CONTEMPORARY ART IN BANGKOK at GALLERY CURU, Bangkok

【Art Fair】
2023
One Art Taipei (Taipei)
2024
One Art Taipei (Taipei)
Art021 (Hong Kong)

Other

2023
In charge of the main visual of NEW ENERGY TOKYO 2023

Concept

Ueda’s artwork blends a deep respect for nature, life, and the universe with mathematical concepts like the golden ratio, vortex structures, and fractals. These natural principles are woven into the piece to bring out the mystery and vitality of the cosmos, creating a visual experience that resonates both intellectually and emotionally. The artist takes inspiration from the organic shapes and spirals found in nature, abstracting them and using them in the design of characters and creatures. This is based on the idea of “self-similarity,” which is central to fractals, where small parts of a system resemble the whole. In her work, parts of one character are shared with others, symbolizing interconnectedness. As viewers mentally link these shared elements, new life forms emerge, ultimately forming a larger spiral structure that reflects the interconnectedness of everything. This mirrors the fractal nature of life, where patterns repeat at all scales, from tiny structures to the vastness of galaxies. Additionally, the artwork captures the beauty of chaotic and seemingly irregular forms found in nature, such as the swirling motion of a whirlpool or the branching of trees. While these forms may appear irregular, they follow underlying mathematical rules that create harmony and order. By incorporating these chaotic yet ordered shapes, the piece taps into the viewer’s subconscious, evoking symbols of life force, energy, and eros. The flowing curves and interconnected patterns suggest the fundamental processes of growth and connection, reflecting the same mathematical principles that govern both organic life and the universe. Ultimately, this work not only celebrates the natural world but also invites viewers to engage with the deeper mathematical laws that shape it. By blending the visual beauty of fractals, spirals, and the golden ratio with symbols of life and energy, it encourages a holistic view of the universe, where everything is interconnected and governed by the same principles of beauty and order.

Instagram:www.instagram.com/i_am_maokaxx/

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NEWS

biscuit gallery×NISO (London) Collaborative exhibition「bridge」

 

biscuit gallery, a contemporary art commercial gallery located on Shoto Culture Street in Shibuya, Tokyo, is pleased to present the collaborative exhibition “bridge” in partnership with London-based gallery NISO.
The exhibition will run from Thursday,  January 30 to Sunday, February 16, 2025.

A reception party will be held on the first day of the exhibition, Saturday, February 1, from 4:00 PM to 7:00 PM.
The event is open to everyone, and we warmly invite you to join us.

Participating artists for the reception party: Nicolas Sorbac (NISO director), Daniel Brusatin, Maoka Ueda, Arashi Tanaka, and Sawako Nasu.

In September 2024, Sawako Nasu, a managed artist of biscuit gallery, held her first international solo exhibition at NISO, London.
Details:https://biscuitgallery.com/sawako-nasu-vestige/

about NISO:
Founded in 2021, NISO is committed to supporting the next generation of talents as well as rediscovering the legacy of XXth Century artists whose remarkable contributions to Art History have gone unnoticed in recent times. Located in Central London, the gallery provides a dynamic platform to present solo exhibitions and intergenerational dialogues in collaboration with artists, estates, and representing galleries.

NISO website

 

This project is a collaborative group exhibition with NISO. From biscuit gallery, Japanese artists based in Tokyo and London will be introduced, while NISO will present international artists active in London and across Europe.

Participating:

<biscuit gallery>
Maoka Ueda
Maoka Ueda was born in 1996 in Hyogo. She studied Art & Design in London for five years in the Foundation course at Central Saint Martins and in the BA(Hons) Graphic Design Communication at Chelsea College of Arts, University of the Arts London, England.

“Wonky Mandala”, 2024, Oil on Canvas, 1167×1167mm

Profile

Lea Embeli
1994 Born in Pančevo, Serbia.
2018 MFA, Department of Applied Painting, Faculty of Applied Arts, University of Belgrade
2021 Graduate School of Oil Painting, Tokyo University of the Arts
2023 Enrolled in a second Master’s program

“A Valpinçon Bather” 2024, linen on panel, acrylic paint, oil paint, digital print, 1160×320mm

Profile

Kenji Sakai
Born in 1996. Sakai works across various media, including oil painting, printmaking, and sculpture. His practice explores the existence and transformation of individuals and groups, delving into deeper self-awareness. Through the use of geometric expressions, he gives form to concepts such as society and emotions, reinterpreting them in unique ways. Currently, he is based in London.

“White Cliff : Distortion Ⅲ” 2024, Oil paint on canvas, 652×530mm

Kenji Sakai Instagram

Hidetaka Suzuki
1986   Born in Hokkaido
2014   MFA in Oil Painting, Musashino Art University
In recent years, he has expanded his activities internationally, including in the United States and the United Kingdom.

“Circle-2” 2024, Oil on canvas, 1455×1120×30mm

Profile

Arashi Tanaka
2000 Born in Fukuoka
2022 BFA, Tama Art University
2024 MFA, the Fine Art program at the University of the Arts London

“2025/1/16,11:07”, 2025, Crystal on canvas, 310×240mm

Profile

Sawako Nasu
1996    Born in Tokyo, Japan
2021    BFA in Oil Painting, Tokyo University of the Arts 
2023    MFA in Oil Painting, Tokyo University of the Arts 
Nasu held her first international solo exhibition at NISO (London) in September 2024.

“Summer Clouds” 2024, Oil on canvas, 312×650mm

Profile

<NISO>
Daniel Brusatin
Born in 1988 in Colombia.
Daniel studied sculpture at the Academy of Fine Arts in Florence, driven by a deep interest in materials and production techniques. Later moved to Milan to pursue a second degree in Design and Applied Arts. Worked under Brian Clarke, receiving instruction in stained glass, ceramics, and architectural art.

“Iron Petroglyph” 2021, Concrete, Sand, Gesso and Acrylic on Iron, 250×200mm

Website

Jean-Philippe Dordolo
Born in 1981 in Orange, France. Currently based in London, UK.
His work revolves around the theme of “grotesque,” exploring concepts such as isolation, transformation, and the fragility of perception through the manipulation of space and ambiguous narratives.

“Meine kleinen Trophäen” 2024, Oil on primed acid free paper, 297×420mm

Website

Guy Haddon-Grant
Born in 1986 in the United Kingdom.
He studied at Camberwell College of Arts and then spent two years in Florence researching the techniques of Renaissance masters.
Using materials such as charcoal, candle soot, wax, plaster, steel, and wood, he creates works that tell stories in dialogue with one another.

“Charcoal Study, 2021-24” Charcoal on paper, 500×350mm

Website

Nicky Hodge
She studied Fine Art and Critical Theory at Central Saint Martins and began her artistic practice. In 2015, she obtained a postgraduate diploma in Fine Art from Goldsmiths College while also working as a curator for the Government Art Collection. Since 2018, she has dedicated themselves to her artistic practice full-time.

“Greco” 2024, Acrylic on canvas, 760×610mm

Website

Mateo Revillo
Born in 1993 in Spain, currently based in Paris.
His work is inspired not only by contemporary abstract expression but also by ancient and Mediterranean civilizations, unfolding within a mystical and ambiguous realm.
By traversing a vast timeline that connects primitive frescoes to the disruption of rectangular formats proposed by Minimalists, his creations evoke a chaotic, spontaneous, and untamed world.

Website

Uchercie
Earned an MFA in Fine Art from Goldsmiths, University of London.
Published the photo book Unconsciously and has exhibited at galleries worldwide, including the Rencontres d’Arles, Art Basel, Somerset House, and the Saatchi Gallery.
Their work explores the intersections of cognitive architecture, collective subjectivity, cybernetic feedback, and spirituality.

“#05” Oil on Canvas, 410×310mm

Website

C. Lucy R. Whitehead
Born in 1991 in Liverpool, UK, and currently based in London.
Earned a BA in Drawing from Camberwell College of Arts and an MA in Painting from the Royal College of Art, where he was awarded the Basil H. Alkazzi Scholarship.

“Untitled” 2024, Oil on Canvas, 250×200mm

Website

 

This marks the first-ever gallery collaboration exhibition for both biscuit gallery and NISO.
We invite you to experience this exhibition that bridges Tokyo and London.

It is a great honor for us at biscuit gallery to collaborate with NISO on this gallery partnership, marking our first-ever gallery collaboration project.

We titled this exhibition “bridge” not only to signify the connection between our two gallery hubs in London and Tokyo but also to symbolize the exchange and development of art that this exhibition aims to foster.
While the proliferation of the internet and online information sharing has made the world feel smaller, we believe that the value of receiving, experiencing, and exchanging information directly and in person remains significant, even as we step into 2025.

As galleries, we are the ones building this bridge, but we hope that the participating artists and everyone who views this exhibition will use this bridge to explore new horizons and imagine the future of art, each in their own way, and enjoy the experience to its fullest.

biscuit gallery Director

 

Information

biscuit gallery×NISO collaborative exhibition

“bridge”

Venue:biscuit gallery 1〜3F
Dates:January 30 (Thu)〜February1 6 (Sun), 2025
Time:13:00〜19:00 ※Closed on Mon, Tue, Wed 
Admission:Free
Organized by biscuit gallery
Cooperation:NISO

Participating:
<biscuit gallery>
Maoka Ueda, Lea Embeli, Kenji Sakai, Hidetaka Suzuki, Arashi Tanaka, Sawako Nasu
<NISO>
Daniel Brusatin, Jean-Philippe Dordolo, Guy Haddon-Grant, Nicky Hodge, Mateo Revillo, Uchercie, C. Lucy R. Whitehead

Reception party: February 1 (Sat) 16:00〜19:00
The event is open to everyone

Categories
Artists

Lea Embeli

Lea Embeli

Profile

Lea Embeli

1994 Born in Pančevo, Serbia.
2018 MFA, Department of Applied Painting, Faculty of Applied Arts, University of Belgrade
2021 Graduate School of Oil Painting, Tokyo University of the Arts
2023 Enrolled in a second Master’s program

Exhibition history

2017
“This changes everything”, Niš Art Foundation, Niš, Serbia
2018
“Festum, Student Cultural Center”, Belgrade, Serbia
2019
Solo Exhibition “Out of touch”, Ostavinska Gallery, Belgrade, Serbia
2020
“Private Values, Swiss Residence”, Belgrade, Serbia
“Autumn of Art Biennale”, Sombor, Serbia
Solo Exhibition “What do you think?”, X Vitamin Gallery, Belgrade, Serbia
2021
51st Art Salon, National Museum, Pančevo, Serbia
2023
“Wherever You Are, That’s Home”, JR Ueno Gallery, Tokyo
Future Exhibition, Nichido Gallery, Tokyo
Watowa Art Award, Watowa Gallery, Tokyo
2024
Shibuya Awards, Hillside Terrace Annex-A, Tokyo
“grid next”, biscuit gallery, Tokyo

Awards

2018
Aleksandar Tomašević Award
ULUPUDS Award in Applied Painting
2020
Vučićević Award
2024
Shibuya Awards, Yusaku Imamura Prize

Concept

My work is an exploration of the intricate relationship between the female body, artificial intelligence, and historical representation in art. Through the use of AI image-generating technology, I investigate how traditional depictions of women in classical paintings can be transformed and distorted beyond recognition, intentionally pushing the boundaries of recognition.

The resulting images are deliberately unsophisticated and unsettling, challenging conventional notions of beauty and identity. This method allows me to confront the contingent symbolism and inherent biases embedded in historical artistic representations of women, as well as in AI technology itself. Each distorted figure becomes a cipher, inviting viewers to question the norms and expectations associated with the female form from art history to the present day.

https://www.instagram.com/lea_embeli/