Exhibition

Solo Exhibitions
2023
“Hallucinations”, Edel Assanti, Online
ACKERMAN CLARKE, Chicago, USA

2022
“Entity”, biscuit gallery, Tokyo

2021
“Aberrating Surface”, WHYNOT. TOKYO, Tokyo
“Absence of both”, Second 2., Tokyo

2015
light house vol.10 “What you wanted to see was surely what I would like to see” (Planned by Seiji Amashige, Hidetaka Suzuki), switch point, Tokyo

Group Exhibitions
2023
“grid2”, biscuit gallery, Tokyo
“Opening Exhibition”, Mees-Van De Wiele Galerie, Ghent, Belgium

2022
“WHAT CAFE × WHYNOT.TOKYO EXHIBITION”, WHAT CAFE, Tokyo
“The Rise of Inside”, Artsy, Curated by Eve Leibe gallery, ARTSIN SQUARE, Online
“The Space Between”, LONDON PAINT CLUB, Online
“CROSSROADS”, WHAT CAFE, Tokyo
biscuit gallery first anniversary exhibition “grid”, biscuit gallery, Tokyo

2021
“EMERGENCE”, RISE ART Soho gallery, London
“TOGETHER THROUGH PAINTING”, LONDON PAINT CLUB, Online
“estate”, ZEIT-FOTO kunitachi, Tokyo

2018
“ookk/puzz-le”, FARO Kagurazaka, Tokyo
“ASSEMBLY – HIDTAKA SUZUKI + YUKI HAYASHI –”, AWAJI Cafe & Gallery, Tokyo

2017
startbahn presents “Fujisantenβ”, AWAJI Cafe & Gallery, Tokyo

2016
“Morning Star #01”, NANZUKA, Tokyo

2014
“Musashino Art University Graduate School Degree Show 2014”, Musashino Art University, Tokyo
“genuine | original”, Art Center Ongoing, Tokyo

2013
“Shell Art Award Exhibition”, The National Art Center, Tokyo

2012
“Musashino Art University Degree Show 2012”, Musashino Art University, Tokyo

2011
“SapporoMirai 10th Exhibition”, Hokkaido Museum of Modern Art, Hokkaido

2009 
“GEISAI#13”, Kaikai Kiki studio Miyoshi, Tokyo

Art Fairs
Art Fair Tokyo 2023 – biscuit gallery Group Exhibition
New Art Dealers Alliance (NADA) 2022 – ACKERMAN CLARK Group Exhibition

Awards

2021   ArtConnect’s Artists to Watch ’21
2013   Shell Art Award
2009   Golden Acrylics prizes, GESIAI#13

Concept

He continues to create paintings based on the theme of fiction and reality. The reality we usually experience, and the fiction we imagine and create. He blurs the boundaries that seem to separate the two worlds, and asking the viewer what it is that we truly see.