Yotaro Fuda
Born in Chiba, Japan, 1996
Education
2019 Tokyo University of the Arts Department of Painting Oil Painting course
【Solo Exhibition】
2019
“Cats and Topology”, Bambinart Gallery, Tokyo
【Group Exhibition】
2022
– “CROSSROADS”, WHAT CAFE, Tokyo
-biscuit gallery first anniversary exhibition “grid”biscuit gallery, Tokyo
-Duo exhibition “最終観測者、？”, biscuit gallery, Tokyo
Yosuke Yamanouchi
1996 Born in Aichi, Japan
2019 BFA in Painting, Nagoya Zokei University of Art and Design
2021 MFA in Oil Painting, Tokyo University of the Arts
Solo Exhibition
2024
“Metaphysical Vivarium”, CANDYBAR Gallery, Kyoto
“Mind Wandering”, GINZA TSUTAYA BOOKS, Tokyo
“Daffodil and Mirror”, KYOTO TSUTAYA BOOKS, Tokyo, Kyoto
2023
“sixth sense” biscuit gallery, Tokyo
2022
“Distortion”, CANDYBAR Gallery, Kyoto
2021
“Glossy Pure Stroke”, CANDYBAR Gallery, Kyoto
“Mindfulness”, gallery b.tokyo, Tokyo
“To the abyss”, myheirloom pre-open exhibition
2020
“Weaving thoughts”, gallery b.tokyo, Tokyo
Group Exhibition
2024
biscuit gallery third anniversary exhibition “grid3” biscuit gallery, Tokyo
2023
Duo exhibition “silence and innocence” biscuit gallery, Tokyo
“Intersection”, GINZA TSUTAYA BOOKS GINZA ATRIUM, Tokyo
biscuit gallery second anniversary exhibition “grid2” biscuit gallery, Tokyo
2022
Duo exhibition “gap”, biscuit gallery, Tokyo
biscuit gallery first anniversary exhibition “grid”, biscuit gallery, Tokyo
“Blue Period exhibition”, Warehouse TERRADA G1 bldg, Tokyo
2021
REAL by ArtSticker “The 6th prophecy-The first sentence-“, KITTE 4F, Tokyo
Art Fairs
2024
Kiaf Seoul 2024
Art Fair Tokyo 2024
2023
Kiaf Seoul 2023
Art Fair Tokyo 2023
Yosuke Yamanouchi confronts the history and structure of painting itself in a frank manner and creates works that attempt to draw out its full potential.His approach of quoting classical paintings while slightly and boldly altering them is reminiscent of the stance of avant-garde artists, Dadaists, and Surrealists, but his works go further and refer to the materiality of matériel in painting.
Just as the Russian avant-garde artists created the concept of Faktura, in which they paid attention to the surface treatment and effects of paintings. Yamanouchi, as seen in his “Epidermis Series,” does not limit painting to a simple discussion of images but gives his works visual effects that could be called “the tactile nature of vision.
