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Miyu Yamada “Nowhere Land”

biscuit gallery, a contemporary art commercial gallery originally established on Shoto Culture Street in Shibuya and now based in Shinjuku, is pleased to present a solo exhibition “Nowhere Land” by contemporary artist Miyu Yamada.

The exhibition will run from Saturday, October 11 to Sunday, October 26.

On the opening day, Saturday, October 11, from 4:00 PM to 7:00 PM, the artist will be present for the opening reception.

“Nowhere Land” Acrylic, sand, and mixed media on canvas 2025 162cm×130.3cm

This exhibition, the artist’s first solo show in two years, will also be the first to be held at biscuit gallery’s new Shinjuku space following its relocation.

The “right answer” changes depending on one’s point of view and never settles into a single truth. It’s precisely within that fluctuation that my own sensibilities—and my works—seem to take shape.

Since moving to Tokyo, I’ve found myself seeking places that offer a quiet sense of calm. I realized I was looking for the same thing during my travels last year. I visited Shasta in the United States, and some of my works were painted under the influence of its landscape; yet I don’t intend to invest meaning in any particular name or place. Rather, if there is “a place like Shasta”—a place of repose—somewhere within one’s heart, perhaps we can face anything. That is the feeling I carry.

The boundary between myself and others is sometimes blurred, and I hold relief, anxiety, and fear all at once. Even so, I want to gather these not as irony or denial, but as warmth.

Making work is not something that exists outside everyday life; it gains meaning by holding its ground against life. Our lives can never be completely separate from society. Just as the soil in fields connects across their plots, I too am woven into society. In today’s world, where excessive connection and isolation occur simultaneously, and in urban life exposed to constant comparison and the gaze of others, we inevitably find ourselves swaying toward isolation yet wrapped within society. The constant question is how much distance to keep, and how to engage.

Artmaking is often interpreted as a message to society. For me, however, it is closer to a letter or postcard addressed to someone in particular. By leaving behind a small voice, a small thought, I hope it will reach someone I have yet to meet.

Miyu Yamada

 

Miyu Yamada | 山田 美優

Born in Tokyo, 1994
Graduated from the Faculty of Law, Aoyama Gakuin University

Yamada creates works that project those who live in the interstices of time and society. Her practice captures the unique sense of floating and elusiveness felt by contemporary people, employing sand-like materials to express beings that exist between the realms of the urban and the natural.

Her practice unfolds in two main series: works based on drawings in which she builds up lines in relief, and works created with pastel.

The creatures that appear in her works are, at once, reflections of herself observing a rapidly changing society and representations of the viewers themselves.

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Information

Miyu Yamada solo exhibition
“Nowhere Land”

Venue:biscuit gallery 
Date:October 11 (Sat) – October 26 (Sun), 2025
Time:12:00〜19:00 ※Closed on Mondays and Tuesdays
Admission:Free
Organizer:biscuit gallery

Opening Reception: Saturday, October 11, 4:00–7:00 PM

The artist will be present. All are welcome to attend.

Categories
NEWS

【News】Yosuke Yamanouchi “Drawing Up the Remnants of Ancient Times”

 

Yosuke Yamanouchi, an artist represented by biscuit gallery, will present his solo exhibition “Drawing Up the Remnants of Ancient Times from Saturday, October 4, 2025.

Yosuke Yamanouchi, Paternal Ritual, 1940 × 970 mm, oil on canvas, 2025

This project is a collaborative initiative between Aichi University of the Arts, Nagoya University of the Arts, Nagoya University of the Arts and Design, Nagoya University of Arts and Sciences, and Art Lab Aichi. Timed to coincide with the international art festival Aichi 2025, it will feature a series of four consecutive solo exhibitions by four artists.

Yosuke Yamanouchi, Escape, 1620 × 1303 mm, oil on canvas, 2025

From among the artists recommended by each university as having strong potential for future success, selections were made through discussions between curator Hiroyuki Hattori, faculty members from the respective universities, and the staff of Art Lab Aichi.

Holding solo exhibitions across three galleries of varying sizes (with a total area of approximately 150㎡) will be a significant challenge. We invite you to look forward to these exhibitions by emerging artists who have studied art in Aichi and who will play a vital role in the future.

Yosuke Yamanouchi, Parasite, 1455 × 970 mm, oil on canvas, 2025

Information

Yosuke Yamanouchi Solo Exhibition

“Drawing Up the Remnants of Ancient Times”

Venue: Art Lab Aichi (Nagoya)

Dates: October 4 (Sat) – October 19 (Sun), 2025

Hours: 11:00 AM – 7:00 PM

Open Days: Wednesday to Sunday, and public holidays

Graphic Design: Yosuke Tanizawa

Organizers: Aichi Triennale Organizing Committee, Aichi University of the Arts, Nagoya University of the Arts, Nagoya University of the Arts and Design, Nagoya University of Arts and Sciences

Supported by: Agency for Cultural Affairs, Government of Japan

Cooperation: Nagoya University of the Arts Printmaking Studio

[Related Event]

Artist Talk & Guest Lecture

Date & Time: Saturday, October 4, 2025, 2:00 PM – 4:30 PM

Following a short artist talk (approx. 30 minutes) by Yosuke Yamanouchi, guest speaker Kazuho Soeda, curator at the Aichi Prefectural Museum of Art, will give a lecture (approx. 90 minutes) on Surrealism in art.

Guest: Kazuho Soeda (Curator, Aichi Prefectural Museum of Art)

Capacity: Around 30 participants (no reservation required, first-come, first-served, free admission)

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Artists

Sungju Ham

Sungju Ham

Profile

Sungju Ham

Born 1990, Anseong, Korea

2018 M.F.A., Fine Arts, Inha University, Incheon, Korea

2023 M.F.A., Inha University, Incheon, Korea

 

Exhibitions

Solo Exhibition
2025

KERNEL PANIC, THEO, Seoul, Korea
2023

Rigger, THEO, Seoul, Korea
2022

Torn picture, Topological Space, Seoul, Korea
2021

We’re no stranger to love, Boan1942, Seoul, Korea

Group Show
2025
FLICKER, Shinhan Gallery, Seoul, Korea
flint and steal, Seoul National University College of Fine Arts Woosuk Gallery, Seoul, Korea
Animal Triste, Alltimespace, Seoul, Korea
Brief Encounter, WWNN, Seoul, Korea

Concept

Sungju Ham’s realism goes beyond the literal meaning of realism (the accurate representation of things as they are) and exists in a world beyond the screen. From the popular culture and video games of the 1990s to today’s visual media, Ham’s practice focuses on the transformations and newly perceived meanings that images undergo when mediated through the artist’s hand. The flat images of liquid crystal screens gain a tactile, three-dimensional vitality in his paintings. Through this process, the same scene may reach viewers with altered meanings, or invite them to imagine what might happen next.

Just as realism has historically been practiced in various ways—whether to reproduce the act of seeing or to expose the absurdities inherent in contemporary society—Ham presents a new methodology of realism imbued with contemporaneity. He is recognized as one of the new generation of artists leading figurative painting in Korea.

SNS

https://www.instagram.com/hamsungju