Drawing Up the Remnants of Antiquity

 

This time, biscuit gallery (Shinjuku Ward) will hold a solo exhibition “Pumping Up the Remnants of Antiquity” by contemporary artist Yosuke Yamanouchi.
The exhibition period is from November 29 (Saturday), 2025 to December 14 (Sunday).
※Extended to December 21 (Sunday).

The venue will be “On,” a space sandwiched between biscuit gallery and AWASE gallery.

This exhibition is organized as part of the International Art Festival Aichi 2025 and is being held at biscuit gallery as a traveling exhibition of “Pumping Up the Remnants of Antiquity,” which was also selected for the continuous solo exhibition program by Art Lab Aichi and Shigei University.

Yosuke Yamanouchi “Paternal Ceremony” 2025 1940×970×30mm Oil on canvas
Yosuke Yamanouchi “Preservation Rules” 2025 “910×652×20mm ” Oil on canvas photo:CANDYBAR Gallery
Yosuke Yamanouchi “Escape” 2025 1620×1303×30mm Oil on canvas

This is the third solo exhibition by Yosuke Yamanouchi at biscuit gallery. Please be sure to visit.

 

Yosuke Yamanouchi
Born in Aichi Prefecture in 1996
Graduated from the Oil Painting Course, Nagoya University of Arts in 2019
Completed the Oil Painting Specialization, Graduate School of Fine Arts, Tokyo University of the Arts in 2021

Yosuke Yamanouchi creates works by facing the history and structure of painting itself directly and attempting to draw out all of its possibilities.
His approach, which quotes classical paintings while applying subtle yet bold modifications, recalls the stance of avant-garde artists, Dadaists, and Surrealists, but his works go further still, making reference to the material nature of painting itself.
Just as Russian Avant-Garde artists once created the concept of factura, paying attention to surface treatment and effects in painting, Yamanouchi, as seen in his “Epidermis Series,” does not confine painting to a simple discussion of imagery. Rather, he grants his works visual effects that might be called the “tactility of vision,” continually presenting viewers with new painting experiences and the possibilities of contemporary painting.

 

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