山ノ内陽介｜Yosuke Yamanouchi

Profile

1996年　愛知県出身
2019年　名古屋造形大学洋画コース卒業
2021年　東京藝術大学大学院美術研究科油画専攻修了

主な展示歴

【個展】
2025
「太古の残滓をくみ上げる」biscuit gallery, 東京
「太古の残滓をくみ上げる」アートラボあいち,名古屋
「秩序への回帰と新たなる予感」CANDYBAR Gallery, 京都

2024
「月光と狂気」biscuit gallery, 東京
「形而上的ビバリウム」CANDYBAR Gallery, 京都
「マインドワンダリング」銀座蔦屋書店, 東京
「水仙と鏡」京都蔦屋書店, 京都
2023
「6番目の感覚」biscuit gallery, 東京
2022
「歪み -ひずみ-」CANDYBAR Gallery, 京都
2021
「Glossy Pure Stroke」CANDYBAR Gallery, 京都
「Mindfulness」gallery b.tokyo, 東京
「深淵まで」 myheirloom pre-open exhibition
2020
「思考を紡ぐ」gallery b.tokyo, 東京

【グループ展】

2025
biscuit gallery 4th anniversary exhibition「grid4」biscuit gallery, 東京
2024
biscuit gallery third anniversary exhibition「grid3」biscuit gallery, 東京
2023
２人展「silence and innocence」biscuit gallery, 東京
biscuit gallery second anniversary exhibition「grid2」biscuit gallery, 東京
「Intersection」銀座蔦屋書店 GINZA ATRIUM, 東京
2022
2人展「gap」biscuit gallery, 東京
biscuit gallery first anniversary exhibition「grid」biscuit gallery, 東京
「ブルーピリオド展」寺田倉庫G1ビル, 東京
2021
REAL by ArtSticker「第6の予言 The 6th prophecy-The first sentence-」KITTE 4F, 東京

【アートフェア】
2025
アートフェア東京2025(biscuit galleryブース)
2024
アートフェア東京2024(biscuit galleryブース)
Kiaf SEOUL (biscuit galleryブース)
2023
アートフェア東京2023 (biscuit galleryブース)
Kiaf SEOUL (biscuit galleryブース)

Overviews

山ノ内陽介は絵画の歴史や構造そのものと率直に向き合い、その可能性をあますところなく引き出そうとする作品を制作しています。
古典絵画を引用しながらもわずかに、かつ大胆な改変を施すかのようなアプローチは前衛的な美術家やダダイスト、シュルレアリストのスタンスを思わせますが、彼の作品はそのさらに先へと進み、絵画のマテ物質性に言及しています。
かつてロシア・アバンギャルドの作家らが絵画の表面処理や効果に注意を払うファクトゥーラの概念を生み出したように、山ノ内もまた「表皮シリーズ」に見られる通り、絵画を単純なイメージに関する議論の枠に留めず、あたかも「視覚の触覚性」とも呼びうるような視覚効果を作品に与え、それを見る私たちに新しい絵画体験と現代絵画の可能性を提示し続けます。

Profile

Born 1996 in Aichi Prefecture
2019　Graduated from Nagoya University of Arts, Oil Painting Course
2021　Completed Tokyo University of the Arts Graduate School of Fine Arts, Oil Painting Specialization

Major Exhibition History

【Solo Exhibitions】
2025
“Drawing Up Ancient Remnants” biscuit gallery, Tokyo
“Drawing Up Ancient Remnants” Art Lab Aichi, Nagoya
“Return to Order and New Premonition” CANDYBAR Gallery, Kyoto

2024
“Moonlight and Madness” biscuit gallery, Tokyo
“Metaphysical Vivarium” CANDYBAR Gallery, Kyoto
“Mind Wandering” Ginza Tsutaya Books, Tokyo
“Narcissus and Mirror” Kyoto Tsutaya Books, Kyoto
2023
“The Sixth Sense” biscuit gallery, Tokyo
2022
“Distortion” CANDYBAR Gallery, Kyoto
2021
“Glossy Pure Stroke” CANDYBAR Gallery, Kyoto
“Mindfulness” gallery b.tokyo, Tokyo
“To the Abyss” myheirloom pre-open exhibition
2020
“Weaving Thoughts” gallery b.tokyo, Tokyo

【Group Exhibitions】

2025
biscuit gallery 4th anniversary exhibition “grid4” biscuit gallery, Tokyo
2024
biscuit gallery third anniversary exhibition “grid3” biscuit gallery, Tokyo
2023
Two-person exhibition “silence and innocence” biscuit gallery, Tokyo
biscuit gallery second anniversary exhibition “grid2” biscuit gallery, Tokyo
“Intersection” Ginza Tsutaya Books GINZA ATRIUM, Tokyo
2022
Two-person exhibition “gap” biscuit gallery, Tokyo
biscuit gallery first anniversary exhibition “grid” biscuit gallery, Tokyo
“Blue Period Exhibition” Terada Warehouse G1 Building, Tokyo
2021
REAL by ArtSticker “The 6th Prophecy -The first sentence-” KITTE 4F, Tokyo

【Art Fairs】
2025
Art Fair Tokyo 2025 (biscuit gallery booth)
2024
Art Fair Tokyo 2024 (biscuit gallery booth)
Kiaf SEOUL (biscuit gallery booth)
2023
Art Fair Tokyo 2023 (biscuit gallery booth)
Kiaf SEOUL (biscuit gallery booth)

Overviews

Yosuke Yamanouchi creates works that confront the history and structure of painting itself with sincerity, seeking to draw out its possibilities without reserve.
While quoting classical paintings, his approach—making subtle yet bold modifications—recalls the stance of avant-garde artists, Dadaists, and Surrealists, yet his work goes further, addressing the materiality of painting itself.
Just as artists of the Russian Avant-Garde once developed the concept of Faktura, paying attention to surface treatment and effects in painting, Yamanouchi, as seen in his “Epidermis Series,” does not confine painting to a simple discourse on imagery. Instead, he imparts visual effects that might be called “the tactility of vision” to his works, continuously presenting us viewers with new painting experiences and the possibilities of contemporary painting.

⚡ AI Translation

프로필

1996년　아이치현 출신
2019년　나고야 조형대학 유화과정 졸업
2021년　도쿄예술대학 대학원 미술연구과 유화전공 수료

주요 전시 경력

【개인전】
2025
「태고의 흔적을 퍼올리다」biscuit gallery, 도쿄
「태고의 흔적을 퍼올리다」Art Lab Aichi, 나고야
「질서로의 회귀와 새로운 예감」CANDYBAR Gallery, 교토

2024
「달빛과 광기」biscuit gallery, 도쿄
「형이상학적 비바리움」CANDYBAR Gallery, 교토
「마인드 원더링」긴자 츠타야서점, 도쿄
「수선화와 거울」교토 츠타야서점, 교토
2023
「여섯 번째 감각」biscuit gallery, 도쿄
2022
「왜곡 -히즈미-」CANDYBAR Gallery, 교토
2021
「Glossy Pure Stroke」CANDYBAR Gallery, 교토
「마음챙김」gallery b.tokyo, 도쿄
「심연까지」 myheirloom pre-open exhibition
2020
「사고를 짜다」gallery b.tokyo, 도쿄

【단체전】

2025
biscuit gallery 4주년 기념 전시 「grid4」biscuit gallery, 도쿄
2024
biscuit gallery 3주년 기념 전시 「grid3」biscuit gallery, 도쿄
2023
2인전 「침묵과 순수」biscuit gallery, 도쿄
biscuit gallery 2주년 기념 전시 「grid2」biscuit gallery, 도쿄
「교점」긴자 츠타야서점 GINZA ATRIUM, 도쿄
2022
2인전 「간격」biscuit gallery, 도쿄
biscuit gallery 1주년 기념 전시 「grid」biscuit gallery, 도쿄
「블루피리어드 전」테라다소코 G1빌딩, 도쿄
2021
REAL by ArtSticker 「제6의 예언 The 6th prophecy-The first sentence-」KITTE 4F, 도쿄

【아트페어】
2025
아트페어 도쿄 2025 (biscuit gallery 부스)
2024
아트페어 도쿄 2024 (biscuit gallery 부스)
Kiaf SEOUL (biscuit gallery 부스)
2023
아트페어 도쿄 2023 (biscuit gallery 부스)
Kiaf SEOUL (biscuit gallery 부스)

개요

山ノ内陽介는 회화의 역사와 구조 자체에 솔직하게 마주하며, 그 가능성을 여실히 드러내려는 작품을 제작하고 있습니다.
고전 회화를 인용하면서도 미묘하게, 그리고 대담하게 변형을 가하는 듯한 접근법은 전위 미술가, 다다이스트, 초현실주의자의 입장을 연상시키지만, 그의 작품은 그것을 넘어 회화의 물질성에 언급합니다.
과거 러시아 아방가르드 작가들이 회화의 표면 처리나 효과에 주의를 기울이는 팩투라의 개념을 만들어냈듯이, 山ノ内도 「표피 시리즈」에서 볼 수 있듯 회화를 단순한 이미지에 관한 논의의 틀에 머물지 않고, 마치 「시각의 촉각성」이라고도 할 수 있는 시각 효과를 작품에 부여하여, 이를 보는 우리에게 새로운 회화 경험과 현대 회화의 가능성을 계속해서 제시합니다.

⚡ AI Translation

个人简介

1996年　爱知县出身
2019年　名古屋造形大学洋画课程毕业
2021年　东京艺术大学大学院美术研究科油画专业修毕

主要展览经历

【个展】
2025
「太古的残滓をくみ上げる」biscuit gallery, 东京
「太古的残滓をくみ上げる」artlab爱知,名古屋
「秩序への回帰と新たなる予感」CANDYBAR Gallery, 京都

2024
「月光与疯狂」biscuit gallery, 东京
「形而上的ビバリウム」CANDYBAR Gallery, 京都
「心灵漫游」银座蔦屋书店, 东京
「水仙与镜」京都蔦屋书店, 京都
2023
「第六感」biscuit gallery, 东京
2022
「扭曲 -ひずみ-」CANDYBAR Gallery, 京都
2021
「Glossy Pure Stroke」CANDYBAR Gallery, 京都
「Mindfulness」gallery b.tokyo, 东京
「深渊之处」 myheirloom pre-open exhibition
2020
「思考的纺织」gallery b.tokyo, 东京

【群展】

2025
biscuit gallery 4周年纪念展「grid4」biscuit gallery, 东京
2024
biscuit gallery 三周年纪念展「grid3」biscuit gallery, 东京
2023
二人展「silence and innocence」biscuit gallery, 东京
biscuit gallery 二周年纪念展「grid2」biscuit gallery, 东京
「Intersection」银座蔦屋书店 GINZA ATRIUM, 东京
2022
二人展「gap」biscuit gallery, 东京
biscuit gallery 一周年纪念展「grid」biscuit gallery, 东京
「蓝色时期展」寺田仓库G1大楼, 东京
2021
REAL by ArtSticker「第6个预言 The 6th prophecy-The first sentence-」KITTE 4F, 东京

【艺术博览会】
2025
艺术博览会东京2025(biscuit gallery展位)
2024
艺术博览会东京2024(biscuit gallery展位)
Kiaf SEOUL (biscuit gallery展位)
2023
艺术博览会东京2023 (biscuit gallery展位)
Kiaf SEOUL (biscuit gallery展位)

Overviews

山ノ内陽介坦诚地面对绘画的历史与结构本身，制作着试图充分发掘其可能性的作品。
虽然引用古典绘画，但却以微妙而大胆的方式进行改变的手法令人联想到前卫艺术家、达达主义者和超现实主义者的立场，但他的作品进一步深化了这一点，涉及绘画的物质性。
正如曾经俄罗斯先锋派的艺术家们创造出关注绘画表面处理和效果的”肌理”概念一样，山ノ内如其”表皮系列”所见，并未将绘画简单地限制在关于意象的讨论框架内，而是赋予作品一种可谓”视觉的触觉性”的视觉效果，持续不断地向观看者展示新的绘画体验和当代绘画的可能性。

⚡ AI Translation

山ノ内 陽介｜Yosuke Yamanouchi

Profile

主な展示歴

Overviews

Public Collections

Profile

Major Exhibition History

Overviews

Public Collections

프로필

주요 전시 경력

개요

공개 소장처

个人简介

主要展览经历

Overviews

公共收藏

山ノ内陽介｜Yosuke Yamanouchi