← Artists

山ノ内 陽介｜Yosuke Yamanouchi

Profile

Born 1996 in Aichi Prefecture
2019　Graduated from Nagoya University of Arts, Oil Painting Course
2021　Completed Tokyo University of the Arts Graduate School of Fine Arts, Oil Painting Specialization

Major Exhibition History

【Solo Exhibitions】
2025
“Drawing Up Ancient Remnants” biscuit gallery, Tokyo
“Drawing Up Ancient Remnants” Art Lab Aichi, Nagoya
“Return to Order and New Premonition” CANDYBAR Gallery, Kyoto

2024
“Moonlight and Madness” biscuit gallery, Tokyo
“Metaphysical Vivarium” CANDYBAR Gallery, Kyoto
“Mind Wandering” Ginza Tsutaya Books, Tokyo
“Narcissus and Mirror” Kyoto Tsutaya Books, Kyoto
2023
“The Sixth Sense” biscuit gallery, Tokyo
2022
“Distortion” CANDYBAR Gallery, Kyoto
2021
“Glossy Pure Stroke” CANDYBAR Gallery, Kyoto
“Mindfulness” gallery b.tokyo, Tokyo
“To the Abyss” myheirloom pre-open exhibition
2020
 “Weaving Thoughts” gallery b.tokyo, Tokyo

【Group Exhibitions】

2025
biscuit gallery 4th anniversary exhibition “grid4” biscuit gallery, Tokyo
2024
biscuit gallery third anniversary exhibition “grid3” biscuit gallery, Tokyo
2023
Two-person exhibition “silence and innocence” biscuit gallery, Tokyo
biscuit gallery second anniversary exhibition “grid2” biscuit gallery, Tokyo
“Intersection” Ginza Tsutaya Books GINZA ATRIUM, Tokyo
2022
Two-person exhibition “gap” biscuit gallery, Tokyo
biscuit gallery first anniversary exhibition “grid” biscuit gallery, Tokyo
“Blue Period Exhibition” Terada Warehouse G1 Building, Tokyo
2021
REAL by ArtSticker “The 6th Prophecy -The first sentence-” KITTE 4F, Tokyo

【Art Fairs】
2025
Art Fair Tokyo 2025 (biscuit gallery booth)
2024
Art Fair Tokyo 2024 (biscuit gallery booth)
Kiaf SEOUL (biscuit gallery booth)
2023
Art Fair Tokyo 2023 (biscuit gallery booth)
Kiaf SEOUL (biscuit gallery booth)

Overviews

Yosuke Yamanouchi creates works that confront the history and structure of painting itself with sincerity, seeking to draw out its possibilities without reserve.
While quoting classical paintings, his approach—making subtle yet bold modifications—recalls the stance of avant-garde artists, Dadaists, and Surrealists, yet his work goes further, addressing the materiality of painting itself.
Just as artists of the Russian Avant-Garde once developed the concept of Faktura, paying attention to surface treatment and effects in painting, Yamanouchi, as seen in his “Epidermis Series,” does not confine painting to a simple discourse on imagery. Instead, he imparts visual effects that might be called “the tactility of vision” to his works, continuously presenting us viewers with new painting experiences and the possibilities of contemporary painting.

Public Collections

Takahashi Collection

⚡ AI Translation