Sungju Ham｜ハム・ソンジュ

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1990年安城（韓国）生まれ
2018年 M.F.A. Fine Arts, Inha University, Incheon, Korea
2023年 M.F.A. Inha University, Incheon, Korea

Exhibitions

個展
2025
<KERNEL PANIC、THEO、ソウル、韓国
2023
<Rigger>、THEO、ソウル、韓国
2022
<Torn picture>、Topological space、ソウル、韓国
2021
<We’re no stranger to love>, Boan1942, ソウル, 韓国

グループ展
2025
FLICKER, Shinhan Gallery, Seoul, Korea
flint and steal, Seoul National University College of Fine Arts Woosuk Gallery, Seoul, Korea
Animal Triste, Alltimespace, Seoul, Korea
Brief Encounter, WWNN, Seoul, Korea

Concept

ハム・ソンジュのリアリズムは、言葉の意味におけるリアリズム（物事をそのまま正確に表現すること）を超え、スクリーンを超えた世界に存在する。つまり、90年代に普及した大衆文化やゲームから近年の映像コンテンツに至るまで、デジタルメディアのスクリーン上で再生されるイメージが、作家の手を通すことで変化する形態や新たに感じられる意味を、様々な方法で描くことに特徴がある。液晶画面の平坦なイメージは、彼の手によって触覚的で立体的な生命を宿し、この過程で同じ光景が異なる意味を帯びて鑑賞者に届くか、あるいは次に何が起きたかを想像させる。

物を見る感覚を再現したり、現代社会に内在する不条理を暴いたりといった様々な形でリアリズムが実践されてきたように、ハム・ソンジュが示す新しい方法論は現代性を備えたリアリズムであり、彼は韓国具象絵画を牽引する新世代の一人である。

SNS

https://www.instagram.com/hamsungju

Profile

Born 1990 in Anseong (Korea)
2018 M.F.A. Fine Arts, Inha University, Incheon, Korea
2023 M.F.A. Inha University, Incheon, Korea

Exhibitions

Solo Exhibitions
2025
<KERNEL PANIC, THEO, Seoul, Korea
2023
<Rigger>, THEO, Seoul, Korea
2022
<Torn picture>, Topological space, Seoul, Korea
2021
<We’re no stranger to love>, Boan1942, Seoul, Korea

Group Exhibitions
2025
FLICKER, Shinhan Gallery, Seoul, Korea
flint and steal, Seoul National University College of Fine Arts Woosuk Gallery, Seoul, Korea
Animal Triste, Alltimespace, Seoul, Korea
Brief Encounter, WWNN, Seoul, Korea

Concept

Sungju Ham’s realism transcends realism in the literal sense of the word (accurately depicting things as they are) and exists in a world beyond the screen. In other words, his work is characterized by depicting, in various ways, the transformed forms and newly perceived meanings that images reproduced on digital media screens—from popular culture and games that flourished in the 1990s to recent video content—undergo through the artist’s hand. The flat images on LCD screens are imbued with tactile and three-dimensional life through his hands, and in this process, the same scene reaches viewers with different meanings, or invites them to imagine what happens next.

Just as realism has been practiced in various forms—such as reproducing the sense of seeing objects or exposing the absurdities inherent in contemporary society—the new methodology that Sungju Ham presents is realism equipped with modernity, and he is one of the new generation of artists leading Korean figurative painting.

SNS

https://www.instagram.com/hamsungju

⚡ AI Translation

프로필

1990년 안성(한국) 출생
2018년 M.F.A. Fine Arts, Inha University, Incheon, Korea
2023년 M.F.A. Inha University, Incheon, Korea

전시

개인전
2025
<KERNEL PANIC>, THEO, 서울, 한국
2023
<Rigger>, THEO, 서울, 한국
2022
<Torn picture>, Topological space, 서울, 한국
2021
<We’re no stranger to love>, Boan1942, 서울, 한국

단체전
2025
FLICKER, Shinhan Gallery, Seoul, Korea
flint and steal, Seoul National University College of Fine Arts Woosuk Gallery, Seoul, Korea
Animal Triste, Alltimespace, Seoul, Korea
Brief Encounter, WWNN, Seoul, Korea

개념

함성주의 리얼리즘은 말의 의미에서의 리얼리즘(사물을 그대로 정확하게 표현하는 것)을 초월하여 스크린을 넘어선 세계에 존재한다. 즉, 90년대에 보급된 대중문화와 게임에서부터 최근의 영상 콘텐츠에 이르기까지, 디지털 미디어의 스크린 위에서 재생되는 이미지가 작가의 손을 거쳐 변화하는 형태와 새로이 느껴지는 의미를 다양한 방법으로 묘사하는 것이 특징이다. 액정 화면의 평면적인 이미지는 그의 손에 의해 촉각적이고 입체적인 생명을 띄며, 이 과정에서 같은 풍경이 다른 의미를 지니고 관객에게 전달되거나, 혹은 다음에 무엇이 일어날지를 상상하게 한다.

사물을 보는 감각을 재현하거나 현대사회에 내재된 모순을 드러내는 등 다양한 형태로 리얼리즘이 실천되어 온 것처럼, 함성주가 보여주는 새로운 방법론은 현대성을 갖춘 리얼리즘이며, 그는 한국 구상회화를 주도하는 신세대 중 한 명이다.

SNS

https://www.instagram.com/hamsungju

⚡ AI Translation

Sungju Ham / 哈姆·松珠

个人资料

1990年出生于安城（韩国）
2018年仁荷大学美术硕士，仁川，韩国
2023年仁荷大学美术硕士，仁川，韩国

展览

个展
2025
<KERNEL PANIC、THEO、首尔、韩国
2023
<Rigger>、THEO、首尔、韩国
2022
<Torn picture>、Topological space、首尔、韩国
2021
<We’re no stranger to love>, Boan1942, 首尔, 韩国

群展
2025
FLICKER, Shinhan Gallery, Seoul, Korea
flint and steal, Seoul National University College of Fine Arts Woosuk Gallery, Seoul, Korea
Animal Triste, Alltimespace, Seoul, Korea
Brief Encounter, WWNN, Seoul, Korea

概念

哈姆·松珠的现实主义超越了词义上的现实主义（精确地如实表现事物），存在于屏幕之外的世界。也就是说，从90年代流行的大众文化和游戏到近年的视频内容，其特点在于用各种方法描绘在数字媒体屏幕上播放的图像，通过作者的手而改变的形态和新感受到的含义。液晶屏幕的平面图像通过他的手获得触觉和立体的生命力，在这个过程中，相同的景象以不同的含义呈现给观众，或者让人想象接下来会发生什么。

正如现实主义以再现观看事物的感觉、揭示当代社会内在的荒谬等各种形式而被实践，哈姆·松珠所展示的新方法论是具有当代性的现实主义，他是引领韩国具象绘画的新一代艺术家之一。

SNS

https://www.instagram.com/hamsungju

⚡ AI Translation