Lea Embeli – biscuit gallery

Profile

1994年　セルビア、パンチェヴォ生まれ
2017年　ベオグラード藝術大学応用芸術学部応用絵画学科卒業
2018年　同大学修士課程修了
教育・科学・技術開発省とセルビアの若い才能のための財団より奨学金を授与される。
2021年　文部科学省の奨学金を得て、東京藝術大学油画研究科に研究生として留学
2023年　2 度目の修士課程に進学

主な展示歴

2017年
「This changes everything」ニシュ・アート・ファウンデーション, ニシュ・セルビア
2018年
「Festum」学生文化センター, ベオグラード・セルビア
2019年
個展「Out of touch」Ostavinska ギャラリー, ベオグラード・セルビア
2020年
「私的価値」スイスレジデンス, ベオグラード・セルビア
「芸術の秋ビエンナーレ」ソンボル・セルビア
個展「どう思う？」X Vitaminギャラリー, ベオグラード・セルビア
2021年
「第 51 回芸術サロン」国立美術館, パンチェヴォ・セルビア
2023年
「どこにいても、そこが家」 JR 上野ギャラリー, 東京
「未来展」日動画廊, 東京
「Watowa Art Award」Watowa Gallery, 東京
2024年
「Shibuya Awards」Hillside Terrace Annex-A, 東京
「grid next」biscuit gallery,東京

受賞歴

2018年
アレクサンダル・トマシェヴィッチ賞
応用絵画分野 ULUPUDS賞
2020年
ヴチュコヴィッチ賞受賞
2024年
Shibuya Awards, 今村有策賞

Concept

私の作品は、女性の身体、人工知能、そして芸術における歴史的表現との複雑な関係を探求するものである。AIの画像生成技術を用いることで、古典絵画における伝統的な女性の描写がどのように変容し、認識できないほど歪められ、意図的に認識の境界を押し広げることができるかを調査する。

出来上がったイメージは意図的に素朴で不穏なものとなり、従来の美とアイデンティティの概念に挑戦する。この方法により、歴史的な女性の芸術的表象やAI技術そのものに埋め込まれた偶発的な象徴性や内在する偏見と向き合うことができる。各々の歪んだ姿は暗号となり、美術史から現代に至るまでの女性の姿にまつわる規範や期待に疑問を投げかけ、鑑賞者を誘う。

My work is an exploration of the intricate relationship between the female body, artificial intelligence, and historical representation in art. Through the use of AI image-generating technology, I investigate how traditional depictions of women in classical paintings can be transformed and distorted beyond recognition, intentionally pushing the boundaries of recognition.

The resulting images are deliberately unsophisticated and unsettling, challenging conventional notions of beauty and identity. This method allows me to confront the contingent symbolism and inherent biases embedded in historical artistic representations of women, as well as in AI technology itself. Each distorted figure becomes a cipher, inviting viewers to question the norms and expectations associated with the female form from art history to the present day.

Profile

Born in 1994 in Pančevo, Serbia
2017 Graduated from the Department of Applied Painting, Faculty of Applied Arts, University of Arts in Belgrade
2018 Completed Master’s degree at the same university
Awarded scholarships from the Ministry of Education, Science and Technological Development and the Foundation for Young Talents of Serbia.
2021 Studied as a research student at Tokyo University of the Arts Graduate School of Oil Painting with a scholarship from the Ministry of Education, Culture, Sports, Science and Technology
2023 Enrolled in a second Master’s program

Major Exhibition History

2017
“This changes everything” Niš Art Foundation, Niš, Serbia
2018
“Festum” Student Cultural Center, Belgrade, Serbia
2019
Solo exhibition “Out of touch” Ostavinska Gallery, Belgrade, Serbia
2020
“Private Values” Swiss Residence, Belgrade, Serbia
“Autumn of Art Biennial” Sombor, Serbia
Solo exhibition “What do you think?” X Vitamin Gallery, Belgrade, Serbia
2021
“51st Art Salon” National Museum, Pančevo, Serbia
2023
“Wherever You Are, That’s Home” JR Ueno Gallery, Tokyo
“Future Exhibition” Nichido Gallery, Tokyo
“Watowa Art Award” Watowa Gallery, Tokyo
2024
“Shibuya Awards” Hillside Terrace Annex-A, Tokyo
“grid next” biscuit gallery, Tokyo

Awards

2018
Aleksandar Tomašević Award
ULUPUDS Award in Applied Painting
2020
Vučković Award
2024
Shibuya Awards, Arisa Imamura Award

Concept

My work is an exploration of the intricate relationship between the female body, artificial intelligence, and historical representation in art. Through the use of AI image-generating technology, I investigate how traditional depictions of women in classical paintings can be transformed and distorted beyond recognition, intentionally pushing the boundaries of recognition.

The resulting images are deliberately unsophisticated and unsettling, challenging conventional notions of beauty and identity. This method allows me to confront the contingent symbolism and inherent biases embedded in historical artistic representations of women, as well as in AI technology itself. Each distorted figure becomes a cipher, inviting viewers to question the norms and expectations associated with the female form from art history to the present day.

My work is an exploration of the intricate relationship between the female body, artificial intelligence, and historical representation in art. Through the use of AI image-generating technology, I investigate how traditional depictions of women in classical paintings can be transformed and distorted beyond recognition, intentionally pushing the boundaries of recognition.

The resulting images are deliberately unsophisticated and unsettling, challenging conventional notions of beauty and identity. This method allows me to confront the contingent symbolism and inherent biases embedded in historical artistic representations of women, as well as in AI technology itself. Each distorted figure becomes a cipher, inviting viewers to question the norms and expectations associated with the female form from art history to the present day.

⚡ AI Translation

프로필

1994년　세르비아 판체보 출생
2017년　베오그라드 예술대학교 응용미술학부 응용회화학과 졸업
2018년　동 대학 석사과정 수료
교육·과학·기술개발부 및 세르비아 청년 재능 재단으로부터 장학금 수여
2021년　문부과학성 장학금을 받아 도쿄예술대학 유화연구과에 연구생으로 유학
2023년　2번째 석사과정 진학

주요 전시경력

2017년
「This changes everything」니시 아트 파운데이션, 니시·세르비아
2018년
「Festum」학생문화센터, 베오그라드·세르비아
2019년
개인전「Out of touch」Ostavinska 갤러리, 베오그라드·세르비아
2020년
「사적 가치」스위스 레지던스, 베오그라드·세르비아
「가을 미술 비엔날레」솜보르·세르비아
개인전「어떻게 생각하십니까?」X Vitamin 갤러리, 베오그라드·세르비아
2021년
「제 51회 미술살롱」국립미술관, 판체보·세르비아
2023년
「어디에 있든, 그곳이 집」 JR 우에노 갤러리, 도쿄
「미래전」닛도 갤러리, 도쿄
「Watowa Art Award」Watowa Gallery, 도쿄
2024년
「Shibuya Awards」Hillside Terrace Annex-A, 도쿄
「grid next」biscuit gallery, 도쿄

수상경력

2018년
알렉산드르 토마셰비치 상
응용회화 분야 ULUPUDS상
2020년
브추코비치 상 수상
2024년
Shibuya Awards, 이마무라 유우사쿠상

Concept

나의 작품은 여성의 신체, 인공지능, 그리고 미술에서의 역사적 표현 사이의 복잡한 관계를 탐구하는 것이다. AI 이미지 생성 기술을 사용함으로써 고전회화에서의 전통적인 여성 묘사가 어떻게 변용되고, 인식할 수 없을 정도로 왜곡되며, 의도적으로 인식의 경계를 확장할 수 있는지를 조사한다.

완성된 이미지는 의도적으로 소박하고 불안정한 것이 되며, 기존의 아름다움과 정체성 개념에 도전한다. 이러한 방법을 통해 역사적인 여성의 예술적 표상과 AI 기술 자체에 내재된 우발적 상징성과 내재된 편견과 대면할 수 있다. 각각의 왜곡된 형상은 암호가 되어 미술사에서 현대에 이르기까지의 여성 형상에 관련된 규범과 기대에 의문을 제기하며 관람자를 초대한다.

My work is an exploration of the intricate relationship between the female body, artificial intelligence, and historical representation in art. Through the use of AI image-generating technology, I investigate how traditional depictions of women in classical paintings can be transformed and distorted beyond recognition, intentionally pushing the boundaries of recognition.

The resulting images are deliberately unsophisticated and unsettling, challenging conventional notions of beauty and identity. This method allows me to confront the contingent symbolism and inherent biases embedded in historical artistic representations of women, as well as in AI technology itself. Each distorted figure becomes a cipher, inviting viewers to question the norms and expectations associated with the female form from art history to the present day.

⚡ AI Translation

个人简历

1994年　生于塞尔维亚庞切沃
2017年　毕业于贝尔格莱德艺术大学应用艺术学部应用绘画系
2018年　完成同校硕士课程
获得教育、科学、技术发展部及塞尔维亚青年才能基金奖学金
2021年　获得日本文部科学省奖学金，作为研究生赴东京艺术大学油画研究科留学
2023年　进入第二个硕士课程

主要展览经历

2017年
“This changes everything”尼什艺术基金会，尼什·塞尔维亚
2018年
“Festum”学生文化中心，贝尔格莱德·塞尔维亚
2019年
个展”Out of touch”Ostavinska 画廊，贝尔格莱德·塞尔维亚
2020年
“私密价值”瑞士住宅，贝尔格莱德·塞尔维亚
“艺术秋季双年展”松博尔·塞尔维亚
个展”你怎么看？”X Vitamin 画廊，贝尔格莱德·塞尔维亚
2021年
“第51届艺术沙龙”国立美术馆，庞切沃·塞尔维亚
2023年
“无论在哪里，那里就是家” JR 上野画廊，东京
“未来展”日动画廊，东京
“Watowa Art Award” Watowa Gallery，东京
2024年
“Shibuya Awards” Hillside Terrace Annex-A，东京
“grid next” biscuit gallery，东京

获奖经历

2018年
亚历山大·托马舍维奇奖
应用绘画领域 ULUPUDS奖
2020年
武楚科维奇奖
2024年
Shibuya Awards，今村有策奖

Concept

我的作品探索女性身体、人工智能与艺术历史表现之间的复杂关系。通过运用AI图像生成技术，我调查古典绘画中关于女性的传统描绘如何被转化、扭曲至无法辨认，有意推动认知边界的拓展。

生成的图像刻意显得粗糙而令人不安，挑战关于美和身份的传统观念。这种方法使我能够面对嵌入在女性艺术历史表象和AI技术本身中的偶然象征性和内在偏见。每个扭曲的身影成为一种密码，邀请观众质疑从艺术史到当代关于女性形象的规范和期许。

My work is an exploration of the intricate relationship between the female body, artificial intelligence, and historical representation in art. Through the use of AI image-generating technology, I investigate how traditional depictions of women in classical paintings can be transformed and distorted beyond recognition, intentionally pushing the boundaries of recognition.

The resulting images are deliberately unsophisticated and unsettling, challenging conventional notions of beauty and identity. This method allows me to confront the contingent symbolism and inherent biases embedded in historical artistic representations of women, as well as in AI technology itself. Each distorted figure becomes a cipher, inviting viewers to question the norms and expectations associated with the female form from art history to the present day.

⚡ AI Translation