Major Exhibition History
Solo Exhibitions
2025
“A Place Yet to be Named” BnA Alter Museum Room Number: 703, Kyoto
“Universe and Flies” AWASE Gallery, Tokyo
“Changing, Repeating” Kyoto Okazaki Tsutaya Bookstore GALLERY EN Wall, Kyoto
Art Rhizome KYOTO2025 “Reverse Journey Kyoto” Mitsui Garden Hotel Kyoto Sanjo Premier, Kyoto
2024
Art Rhizome KYOTO2024 “Reverse Journey Kyoto” No.317 ANEWAL Gallery, Kyoto
Group Exhibitions
2025
“EAST EAST TOKYO 2025” National Museum of Nature and Science, Tokyo
“Art Award Tokyo Marunouchi 2025” Gykouchi Underground Gallery, Tokyo
“Kyoto City University of Arts Graduation Exhibition 2025” Kyoto City University of Arts, Kyoto
2024
“SHIBUYA STYLE vol.18” Seibu Shibuya Fine Art Gallery, Tokyo “grid next : Emerging Artists Showcase” biscuit gallery, Tokyo2022
“Reiwa 3rd Year Graduation and Completion Works Excellence Exhibition” Musashino Art University Museum, Tokyo
“conversation” haku kyoto, Kyoto
Concept
I create images using duplication and inversion, which are easily done digitally. Interestingly, these sometimes resemble the regularity and structure of how plants develop leaves and flowers. When the same form is repeated many times through duplication, it evokes sound and music. When I create gradations using RGB colors, they sometimes remind me of rainbows, sunsets, and cosmic phenomena. They can also appear to look like parts of the body or cells.
I am inspired not only by natural phenomena such as plants, insects, rainbows, and sunsets, but also by visual effects seen digitally in animations, films, music videos, and more. However, each work does not have a specific motif. Even when something appears recognizable, I create images that land in an ambiguous place—appearing to be something concrete yet not quite.
They appear to be both plants and the universe, yet neither. They look like prints yet are hand-drawn. Copies and originals exist simultaneously. They appear to be abstract paintings, yet might be depictions of an iPad screen. Rather than being digital or physical, they are digital and physical and something in between.
In this way, crossing boundaries and embracing ambiguity is both a form of resistance against existing categories for me, and a process of exploring new possibilities.
SNS
biscuit gallery 