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城蛍｜Hotaru Tachi

Profile

Hotaru Tachi / Hotaru Tachi

Born in Aichi Prefecture in 1996
2015　Graduated from Aichi Prefectural Asahigaoka High School, Department of Fine Arts
2020　Began artist activities in Tokyo

Major Exhibition History

【Solo Exhibitions】
2023 「Conceiving at the Table」biscuit gallery karuizawa, Karuizawa
2021「Deformed Garden」Chohtei Gallery, Tokyo
「Eaten by the Sea」 MAKII MASARU FINE ARTS, Tokyo
2020 「Faintly Dazzling」Gallery Camellia, Tokyo
「Hydrangea and Ablution」MAKII MASARU FINE ARTS, Tokyo

【Group Exhibitions】
2022 「ART TAICHUNG」 333GALLERY, Taiwan
「grid」 biscuit gallery, Tokyo
「Lovely」 OIL by 美術手帖, Tokyo
2021 「Ampersand”旧图像世的挽歌」Tokyo Gallery + BTAP, Beijing
「5 AM, Wood and Sensuality」 rusu, Tokyo
2021 「GINZA COLLECTOR’S CLUB」Ginza Tsutaya Bookstore GINZA ATRIUM, Tokyo
2021 「SLANGS」WHAT CAFE, Tokyo
2021 「Young Abstract Paintings」Chohtei Gallery, Tokyo
2021 「Paintings I Want to Show at the Start of This Year」Gallery TOWED, Tokyo
2020 「collectors’ collective vol.3」MEDEL GALLERY SHU, Tokyo
2020 「Shibuya Style vol.14」Seibu Shibuya, Tokyo
2020 「Riverbank of Painting」TRiCERA MUSEUM, Tokyo
2020 「FACE Exhibition 2020」Sompo Japan Nipponkoa Museum of Art, Tokyo
2019 「Shibuya Style vol.13」Seibu Shibuya, Tokyo
2019 「Studio MOKAH Pre-opening Studio」Studio MOKAH, Tokyo

Statement

Carrying negativity, maintaining a sense of discomfort. In my thinking, this forces objects to strain and creates distortion. For this reason, as a result, paintings become greatly deformed and transform into semi-three-dimensional malformations. However, by giving them an appearance of gentleness, quietness, and calmness, I bring solace to negative scenes. By doing so, we may be able to affirm the existence of negativity, which is so often denied.

⚡ AI Translation