Exhibition History
Solo Exhibitions
2019
Solo Exhibition (美の舎/Tokyo)
2021
Solo Exhibition (数寄和/Tokyo)
Daytime Meteor (薬膳カレー&薬膳料理 香食楽/Tokyo)
2022
Carefully Arranging Nights (MAKII MASARU FAIN ART/Tokyo)
2023
Distance Measured by Hand (子の星/Tokyo)
2024
Afternoon (Gallery IRRITUM Tokyo/Tokyo)
2025
The Lingering Echo of Holidays (KATSUYA SUSUKI GALLERY/Tokyo)
Tomorrow is another breath (YTF GALLERY/Taipei)
Someone called my name from my memory (THE LOOP GALLERY/Tokyo)
Group Exhibitions
2019
Fumiya Odagawa・Reo Kikuchi Two-Person Exhibition (ガレリア・グラフィカbis/Tokyo)
2021
Japanese Painting Six-Person Exhibition (アートスペース羅針盤/Tokyo)
Waxing and Waning: Japanese Painting Five-Person Exhibition (数寄和/Tokyo)
2023
Half Landscape Two-Person Exhibition (数寄和/Tokyo)
2025
IN THE LOOP (THE LOOP GALLERY/Tokyo)
Art Fairs
One Art Taipei 2024 (JR East Hotel Grand Festo/Taipei)
Five Galleries Art Fair in Spiral 2024 (スパイラルガーデン/Tokyo)
One Art Taipei 2025 (JR East Hotel Grand Festo/Taipei)
Awards and Honors
2016
“SEED Yamatane Museum Japanese Painting Award” – Selected
“Tadashi Ishimoto Japanese Painting Grand Prize Exhibition” – Jury Special Award
2017
“Akari Gallery Selected Artists Exhibition” – Akari Gallery Award
2018
“Tokyo University of the Arts Graduation Exhibition” – Salon de Printemps Award, Taito Ward Mayor’s Award
“美の舎 Student Selected Exhibition” – Excellent Work Award
2020
“Tokyo University of the Arts Completion Exhibition” – Keisei Electric Railway Art Award
“Go to the Gallery” – 数寄和 Award
2023
“Muni Art Award” – Kosei Ikenaga Award
Statement
In spring I think of winter, and in autumn I think of summer. There is emotion in what passes away, and in my daily life I have been drawn to slight waverings and sensations. Surroundings and memories, many relationships sway together, and I paint the moment before these events and emotions become words.
In my works, figures appear repeatedly within landscapes, but I somehow avoid explaining events or emotions, and no clear narrative is depicted. I value the blank spaces and uncertainty of what is not drawn, and within these slight gestures and compositional movements, narratives lie hidden. In the landscapes and human figures that exist there dwell the transient seasons beyond consciousness, worries about human relationships, and quiet emotion. With blurred outlines and scenes that extend beyond the frame of the painting, even the undepicted portions encompass the work and attempt to express the inherent obscurity of the world. In this way, I want to paint works that move those who see them to melancholy, while simultaneously making them feel somewhat enriched.
SNS
biscuit gallery 