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biscuit gallery is a commercial gallery to handle led
by a young writer of domestic and foreign contemporary art.


Hotaru Tachi


Hotaru Tachi

1996  Born in Aichi
2015  Graduated from Aichi Prefectural Asahigaoka High School
2020  Relocated to Tokyo

Selected Exhibitions

Solo Exhibitions

2023 “Fruiting at the Table”, biscuit gallery karuizawa, Karuizawa
2021 “Deformation Garden”, ChangTing Gallery, Tokyo
2021  “Umi ni Taberareru”, MAKII MASARU FINE ARTS, Tokyo
2020  “Ajisai to Mokuyoku”, MAKII MASARU FINE ARTS, Tokyo
2020  “Awaku Mabayuku”, Gallery Camellia, Tokyo

Group Exhibitions

2022  “ART TAICHUNG”, 333GALLERY, Taipei
2022  “grid”, biscuit gallery, Tokyo
2022  “Lovely”, OIL by Bijutsu Techo, Tokyo
2021   “Ampersand ‘Elegy for a Bygone Image World'”, Tokyo Gallery+BTAP, Beijing
2021   “5A.M., Ki to Kanou”, rusu, Tokyo
2021   “GINZA COLLECTOR’S CLUB”, Ginza Tsutaya, GINZA ATRIUM, Tokyo
2019   “Studio MOKAH Pre-Open Studio”, Studio MOKAH, Tokyo
2021   “SLANGS”, WHAT CAFE, Tokyo
2021   “Wakate no Chushou Kaiga”,, ChangTing Gallery, Tokyo
2021   “Kotoshi Hajime ni Misetai E”, Gallery TOWED, Tokyo
2020  “collectors’ collective vol.3”, MEDEL GALLERY SHU, Tokyo
2020  “Shibuya Style vol.14” Seibu Shibuya, Tokyo
2020  “Kaiga no Kashi” TRiCERA MUSEUM, Tokyo
2020  “FACE Exhibition 2020”, SOMPO Museum of Art, Tokyo
2019  “Shibuya Style vol.13”, Seibu Shibuya, Tokyo


“To hold on to negativity, to hold on to a sense of discomfort. In my opinion, this forces the object to strain and distort. That is why, as a result, the paintings are greatly deformed and metamorphosed into semi-three-dimensional deformities. However, I bring comfort to the negative scene by giving it the guise of gentleness, serenity, and calm. By doing so, we may be able to affirm the existence of negativity, which is often denied.”