Concept

My practice involves collecting digital representations of Ukiyo-e prints that have primarily circulated outside of Japan. I intervene in these downloaded images by cutting and weaving them back together. Through this process, I explore a new form of painterly expression—one where originality emerges from the intersection of existing motifs, and where the immense time required for weaving imbues these mass-produced reproductions with a sense of “once-in-a-lifetime” singularity.

SNS